Nork left
HOPE© early the next day. His vacation was one day away and he was
antsy. There was a careful mix of anger and awe in him as he drove
away from work and watched the early afternoon hurl flames toward the
city behind him. He saw the buildings catch almost all at once,
watery and invincible though they seemed in the cloud light before
noon. They conducted the sun like hot cathodes. All their glass
made them appear molten, and in league with some thoughtless urge for destruction. They
gave him words without mercy as he drove, channeling into him a thousand different tongues. He let himself believe in the moment of genius, as if it were another rare moment of "being in
relation to the world". But he knew he would never remember the
sentences that temporarily lit his brain. They would fade like
embers in the hours to come, and become something old and uninteresting.
An emptiness embraced the city
and its towers, deepening their outline. The surrounding vacuum of wilderness was
an empty foundation, a flat baseline signal for the city’s jagged
pulse that spiked out of the blown static of the Midwest swale.
Noise.
Noise was
the ubiquitous feature of the city. Noise and a deeply pitched note
oscillating inside of it. The sound hovered over the streets, humming
like a half-angel charged with toppling every wall, and splintering each pane of icy glass. The note
vibrated in Nork’s skull. Was it music? It was at least in its most
basic form a consistent system of movement with no discernible melody,
and so what it spoke it did not speak plainly. It may as well have been silent like boulders wedged between
mountains, or the depth of ice at Earth’s poles. He felt it like
low strings in his finger bones, and his mind brought images of
meteors whistling through clouds, and wind stripping trees. Mammoths collapsing. The sound was old and prior to man, like
groans from a weird fish fighting back to a deep place to be left
alone.
The sound
and his thoughts confirmed every glimpse he ever had into what he
usually described as an invincible "brightness" inside him, showing him that
"End" he sourly wanted.
"End." The word was like flint over his gunpowder
spine. He would never lose that response. A goose bump for each notion of total
obliteration, bringing his life back, bringing everything back into
focus.
As he
eliminated distance between him and the city melting behind him under
showers of light, memory harpooned him from both sides. Every
beam of it carried volumes of information; salient details from being
raised in the south boroughs. Uninhibited moments of honesty, mundane and
painful, arranged in clean glass looking jars. They seemed capable
now of leading him on some eroded but confident path from his own
blazing peculiarity to the universal place he desperately sought. For
a split second, he was convinced some grand new thing was heading his
way. Some sweeping conclusion born from within this isolated
moment showed him that all life looked expressible, and felt miles away from the
private beach of tongue-tied significance he'd been hiding on for so
long.
***
For reasons
unknown to him, Nork veered off the highway and drove to a chapel
that was located near his old train route to work. His eyes were always drawn to it like all large tomb-like
things that capture the darker verges of the imagination. It was
probably because the building was so old. It was still old 100
years ago, when the city was much farther away, and the distance from
the heart of the sprawl still afforded a buffer zone that kept the
city invisible except for its glow.
The church’s structure was
hulking and monolithic, as if carved out of a single stone. To
Nork it represented obsolescence, but also a craving for old things. A marveling at how
they persist in spite of the breaking down of everything around them.
How did that resistance happen except by some spectacular power? He
thought about the brain when he saw the place. To him, the church
looked like the first crude mound of reptilian neurons. A monument to
man’s first limbic clusters, still firing with first desires,
visions of spirits, demons, and dreams of immortality. The god organ. Still our foundation.
Nork wanted it to be alive inside him somewhere, buried as it
may be beneath a bloated and domineering cortex.
The church
was seated on a rise that provided a view of the open space before
the city started toward the northern horizon. He climbed the rock
steps and wandered around the side of the building where an unkempt
grotto overgrew and kept the place looking its age. There were graves
there. The oldest cemetery stones had been buried in earth and now
resembled ancient burial mounds. The grass on the mounds was new, and
Nork figured the soil had been deposited recently during the last
major dustbowl that rearranged the Midwest countryside. These were
post-world graves, he thought, drowning in a landscape of change. But
some of the newer stones were still visible. Nork was glad people
were still buried in the ground and commemorated with stone. He
believed with certainty that the practice of proper burials would be
one of the last things to leave from the human being. When that is
gone that will be the sign, he guessed, that it was all over.
He returned
to the entrance and walked through two huge red oak doors. Real wood,
Nork noticed as he pushed them with both palms. Nork found a seat in the back of the sanctuary near an ancient
fiberglass pipe organ with yellow stained keys that looked like
fossilized teeth. The sound it croaked was prehistoric and beautiful,
like a long extinct animal come to life to lament eons of lost time.
The pews were surprisingly packed. Nork wondered where everyone came
from. Where was this barren countryside hiding all these people? The
service began with a liturgy that was typical of the new generation
of omni-denominational theology. Like all things human in the
post-world, everything was borrowed and blended until satisfactorily
unrecognizable. Nork heard from someone that communion was often
taken at these churches by soaking a rag or sponge in a bowl of
vinegar wine and passing it around for congregants to suckle from.
The service
continued with musical litanies and group prayers. When it
came time for communion, the ushers approached the altar and fetched
long poles from behind the pulpit. They
affixed vinegar rags to the ends of the poles and swept them up and
down the aisles of the sanctuary in front of the congregation’s
trembling lips. People leaned forward, eagerly slurping the sour
liquid into their mouths. Some of it dribbled down their necks,
beaded up in their beards. Some of the more impassioned elderly women
darkened their blouses with the fluid they could not hold behind
their slack jaws. Nork just watched. During this
moment of ‘feeding,’ the minister guided his audience through meditative visions of the suffering of Christ. Each syllable moved
the crowd. People shivered and moaned as if something
neglected inside them was finally allowed to eat. Nork became afraid of the world that was created here. It was a stage of ritual he had never seen, and was too terrified to admit that he envied. He watched the
people more intensely than anything else in his entire life, as if
looking hard enough would let him access their ecstasy. To feel the
scorching of such uninhibited belief. By the end of the rite, Nork
felt he had witnessed something truly extraordinary. Something
world-changing. This church, this theater of emotion was a place
people could still go to touch the face of god. Through art, through storytelling people were carried to heights of
abandon, egos liquefied into the great ocean of supernatural terror.
Nork had grown to believe these sensations had all but died off the
face of the earth. Only rumors of these
“passion churches” remained in the dead ironic city. And here it was: man’s unrestrained
exaltation alive and thriving.
After the
service, he walked out of the chapel, away from the chatter and
sounds of catharsis. The night seemed so close to him he could feel
it breathe. The sky was a low ceiling he could almost press with his
hand and turn his palm black with soot. It seemed like he knew what
he was going to do long before the decision entered his mind. That’s
the way it was for Nork during many of his drug cravings. He still
had 3 pills left, wrapped in aluminum foil inside his glove box. It
was to be a legendary dose. “Why not?” he asked each pill as they
burrowed into his stomach where they would stage for an
unprecedented assault on his mind.
***
Nork had
trouble identifying the precise moment he came to. The instant was
smashed somewhere between the diminished snapshots of his slow
re-sharpening awareness. His eyes shook away a blur, and he heard
bells. He was leaning against the steel of a canal. The air was burnt
and sea rotten. Smell, he noted, was the first grip on reality to
return after a hard night of the fickle drug Shade. The parapet he reclined against was
covered in aquatic crust. The colors of his surroundings were
oceanic and severe, like the world was bleeding blue through a cracked calcium shell.
Fisherman bound
a boat beneath his dangling feet. They walked imperfectly between
docks, their experience a heavy shadow that followed them, sometimes
getting in their way. Nork wondered whether they handled each night's
catch like the last slivers of earth, escorting white wedges ashore
like the divvied corpse of Christ that they found floating at sea. One of them
smelled his hands.
"There are still fisherman?" Nork asked
the ripe wind in his nose, deferring to its expertise. His senses did
all of his thinking, and so it was that a person without Shade over
their eyes that morning would have seen no one at all on the docks.
Not one fisherman.
"He let himself believe in the moment of genius, as if it were another rare moment of 'being in relation to the world'."
ReplyDeleteIs Nork...Artaud? Or did I just spoiler alert for no good, goddam reason?
Nork is ALL!
ReplyDelete